Sit And Play (2023)

Sit And Play began as a theme and variations, centered around highlighting the individual talents of each member of the quintet. However, as the composition evolved, it transformed into four distinct character pieces, each representing a unique musical technique, some inspired by jazz.

The first movement, "Jab And Stab," sets the tone with its bluesy and rhapsodic oboe solo. The rest of the ensemble engages in a play of "jabs" and "stabs," borrowing from the jazz arranging technique. These rhythmic interjections create a dynamic interaction with the melody, resulting in a syncopated exchange.

The second movement, "Breath And Sing," features an expressive bassoon solo. It is dedicated to my first music teacher—my father. It serves as a direct variation of the oboe solo, but with a melancholic character. As the bassoon's yearning voice develops, a delicate and anxious pulse permeates the ensemble.

In the third movement, "Cut And Paste," a bold horn solo takes center stage. The rest of the ensemble playfully fragment and hocket scales and motives from previous movements, adding a touch of celebration and intrigue. Like a musical collage, the piece weaves together threads from earlier sections.

The fourth and final movement, "Riff And Run," rushes forward like a vibrant scherzo. A blazing flute solo is supported by a syncopated and brash accompaniment. Suddenly, the "jab and stab" motive from the first movement makes a return, tying the suite together with a familiar motif. The clarinet, though not granted a full solo, contributes as a virtuosic counter melody, adding another layer of excitement to this finale.

Sit And Play emerges as a suite of four character pieces, designed to showcase the talents of each wind quintet member while interweaving a diverse array of themes and motives. Written for the Imani Winds Emerging Composers Program in the summer of 2023.